Native American Performance and Representation


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Keams has challenges stereotypes through writing and creating plays that include Native American history, such as Flight of The Army Worm , first performed in at Navajo Community College. Flight of the Army Worm is one of the first contemporary published plays that was done by a Native American Woman. Keams combines Western and Indigenous pedagogies by moving the story from the intellectual account by the announcer to the personal account of Grandmother.


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Native American drama had to fight against indifference and lack of knowledge on the part of some mainstream audiences. Native American playwrights write for a larger audiences who may not be aware that Native Americans are a significant demographic. This creates a double burden on the need to educate as well as to create drama.


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As more anthologies of contemporary Native American drama are published, the variety and creativity of the contemporary scene has become more apparent. Native American playwrights challenge centuries of stereotypes to create realistic characters conceived from their own personal experiences.

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The American Indian Theater Ensemble resolved to not only to rectify the cultural image of the Native American, but also to produce a body of drama intended primarily for the Indian community. Body Indian is pan-tribal work that demonstrates the problems Native American playwrights face in creating realistic drama based on contemporary Native American life.

While Native people have been performing on the stages of the American theatre since the nineteenth century, at the turn of the twenty-first century, only a handful of articles on Native Theatre have been published, and most appeared in magazines rather than academic journals.

Scholars in Canada embraced First Nations theatre more quickly, with much of the scholarship during the s appearing in Canadian journals and published by Canadian presses. Now, twenty years later, Native and non-Native scholars seek to redefine the place of Indigenous theatre within the history of "American" theatre or, more accurately, the theatre of the Americas. Indigenous American cultures have been a major aspect of Chicano drama. His character Cajeme, a deer dancer named after a famous Yaqui who fought against the Mexican government, is portrayed through different elements in the play.

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Drama by Contemporary Native American Women. Ann Arbor: ProQuest. Native American performance and representation. Tucson: University of Arizona Press. Canadian dramath century--History and criticism. Canadian drama--Indian authors--History and criticism. Indian dance--North America. Indian theater--United States--Historyth century. Indians in literature. Indians in motion pictures.

At talk, playwright discusses Native-American theatrical representation

Indians of North America--Intellectual life. Indigenous peoples in motion pictures.

More Details added author. Wilmer, S.

Reframing dance, performance, and traditional stories for a postmodern era. Darby -- Coming-of-age on the rez: William S. Appeared in Choice on In 14 informative, readable essays, Wilmer Trinity College Dublin --also editor of Writing and Rewriting: National Theatre Histories CH, Feb'05, --offers critical immersion in a diverse sampling of plays, playwrights, and performance traditions of US indigenous peoples. The volume goes some distance in reconstructing lost or little-known aspects of Native American history and theater history and in providing impressive evidence of the merging of the visual arts, music, dance, and theater typical of modern and postmodern works by and about Native Americans.

Precious little scholarship has been available on this important subject: one finds only occasional journal articles and a few anthologies of plays e. Summing Up: Highly recommended. All readers. Fisher University of North Carolina at Greensboro. To find out how to look for other reviews, please see our guides to finding book reviews in the Sciences or Social Sciences and Humanities. Description for Reader. Native performance is a multifaceted and changing art form as wellas a swiftly growing field of research. Native American Performance andRepresentation provides a comprehensive study of Native performance,not only its past but also its present and future.

Contributors -Native and non-Native - use multiple perspectives, such asfeminism, literary and film theory, and postcolonial discourse, to lookat the varying nature of Native performance strategies. They considerthe combination and balance of the traditional and modern techniques ofperformers in a multicultural world. They explore topics such asindigenous self-representations in performance, representations bynonindigenous people, cultural authenticity in performance andrepresentation, and cross-fertilization between cultures.

Otherimportant, sometimes controversial issues they consider include theeffects of miscegenation on traditional customs, racial discrimination,Native women's position in a multicultural society, and therelationship between authenticity and hybridity in Nativeperformance. An important addition to the new and growing field of Nativeperformance, Wilmer's book cuts across disciplines and areas ofstudy in a way no other book in the field does.

It will appeal not only to those interested in Native American studiesbut also to those concerned with women's and gender studies,literary and film studies, and cultural studies. Native American Performance and Representation provides acomprehensive study of Native performance, a multifaceted and changingart form as well as a swiftly growing field of research. Notableresearchers and performers use multiple perspectives, such as feminism,literary and film theory, and postcolonial discourse, to look at thevarying nature of Native performance strategies, They consider suchissues as the effects of miscegenation on traditional customs, Nativewomen's position in a multicultural society, and the relationshipbetween authenticity and hybridity in Native performance.

An importantaddition to Native performance studies, Wilmer's book cuts acrossdisciplines and areas of study in a way no other book in the fielddoes. Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies.

They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world.

Native American Performance and Representation Native American Performance and Representation
Native American Performance and Representation Native American Performance and Representation
Native American Performance and Representation Native American Performance and Representation
Native American Performance and Representation Native American Performance and Representation
Native American Performance and Representation Native American Performance and Representation
Native American Performance and Representation Native American Performance and Representation

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